Canon EF

Canon EOS-1 V High Speed

  • Released in 2000 as the successor to the EOS-1N, the Canon EOS-1V was Canon’s final flagship professional 35mm SLR. It introduced a 45-point autofocus system, improved weather sealing, a magnesium-alloy body and faster performance throughout, while retaining the familiar handling and EF lens compatibility of the EOS-1 series. With the PB-E2 booster and NP-E2 battery pack, the High Speed configuration can shoot at up to 10 fps, with predictive AI Servo autofocus operating at up to 9 fps.

    For professional photographers, the EOS-1V remains one of the most capable film SLRs ever produced. Its fast AF, robust construction, 1/8000s shutter and 1/250s flash sync make it particularly well suited to fashion, editorial, sport and location work where speed and reliability matter. It also gives access to the extensive Canon EF lens system, making the transition between film and Canon digital workflows especially straightforward.

  • Type: Professional 35mm autofocus SLR
    Lens Mount: Canon EF
    Autofocus: 45-point Area AF with One-Shot and AI Servo
    Shutter: Electronically controlled focal-plane shutter
    Shutter Speed: 30s to 1/8000s, Bulb
    Flash Sync: Up to 1/250s
    Metering: 21-zone evaluative, partial, spot and centre-weighted
    Film Speed: DX ISO 25–5000; manual ISO 6–6400
    Continuous Shooting: Up to 10 fps with PB-E2 + NP-E2
    Body: Magnesium-alloy construction with dust and water resistance
    Power: PB-E2 supports AA batteries

    • Canon EOS 1V Body

    • PB-E2 Power Drive Booster

    • Canon Battery Holder

    • Canon Body Cap

    • AA Batteries (8x)

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Canon 5D Mark IV body

  • The Canon EOS 5D Mark IV is a professional full-frame DSLR built around a 30.4MP CMOS sensor and Canon’s 61-point autofocus system. It combines high-resolution stills, strong dynamic range and dependable autofocus with a familiar EOS handling layout, making it a versatile body for portrait, fashion, editorial, event and location photography.

    It also adds 4K video recording, Dual Pixel CMOS AF for live view and video, and improved high-ISO performance over the 5D Mark III. For professional users, its strength is versatility: one body that can move comfortably between stills and motion while retaining access to Canon’s extensive EF lens system and established professional accessories.

  • Type: Full-frame DSLR
    Sensor: 30.4MP full-frame CMOS
    Lens Mount: Canon EF
    Autofocus: 61-point AF system
    ISO Range: ISO 100–32,000, expandable
    Shutter Speed: 30s to 1/8000s, Bulb
    Continuous Shooting: Up to 7 fps
    Video: 4K DCI recording
    Live View AF: Dual Pixel CMOS AF
    Storage: CompactFlash and SD card slots
    Connectivity: Wi-Fi, NFC and GPS
    Body: Weather-resistant magnesium-alloy construction

    • Canon 5D Mark IV Body

    • Canon Battery Door

    • Canon LP-E6NH Batteries (2x)

    • Canon LC-E6E Battery Charger

    • SD 64GB Memory Card

    • CF 64GB Memory CardUSB-C to USB 3.0 Micro-B Tether Cable (4.6m) (2x)

    • Tether Lock Plate

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Canon 5D Mark III body

  • Released in 2012 as the successor to the 5D Mark II, the Canon EOS 5D Mark III brought a major upgrade in autofocus, processing speed and overall handling while retaining the full-frame DSLR format that made the 5D series so widely adopted. It introduced a 22.3MP full-frame CMOS sensor, DIGIC 5+ processing and a 61-point autofocus system derived from Canon’s professional EOS-1 line, making it significantly more capable for moving subjects and demanding professional use.

    For stills, the 5D Mark III remains a dependable choice for portrait, fashion, editorial, event and location photography, with strong low-light performance and familiar Canon ergonomics. It also offers Full HD video recording, making it a practical hybrid body for productions that need both stills and motion while staying within the Canon EF system.

  • Type: Full-frame DSLR
    Sensor: 22.3MP full-frame CMOS
    Processor: DIGIC 5+
    Lens Mount: Canon EF
    Autofocus: 61-point AF system
    ISO Range: ISO 100–25,600, expandable
    Shutter Speed: 30s to 1/8000s, Bulb
    Continuous Shooting: Up to 6 fps
    Video: Full HD 1080p
    Storage: CompactFlash and SD card slots
    Viewfinder: Optical pentaprism
    Body: Weather-resistant magnesium-alloy construction

    • Canon 5D Mark III Body

    • Canon Battery Door

    • Canon Body Cap

    • Canon LP-E6NH Batteries (2x)

    • Canon LC-E6E Battery Charger

    • SD 64GB Memory Card

    • CF 64GB Memory Card

    • USB 2.0 to USB Mini-B 5-pin Tether Cable (4.6m)

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Canon EF 16-35mm f/2.8L III USM

  • The Canon EF 16-35mm f/2.8L III USM is a professional ultra-wide zoom designed for full-frame Canon EF cameras. Introduced as the third generation of Canon’s 16–35mm f/2.8L series, it brought a revised optical design with improved sharpness across the frame, better control of chromatic aberration and flare, and more consistent performance at the wide end.

    The constant f/2.8 aperture makes it particularly useful for interiors, architecture, editorial, events and location work where light levels can change quickly. Its USM autofocus is fast and reliable, while the weather-resistant L-series construction makes it well suited to demanding professional use.

  • Type: Ultra-wide-angle zoom lens
    Mount: Canon EF
    Focal Length: 16–35mm
    Maximum Aperture: Constant f/2.8
    Minimum Aperture: f/22
    Construction: 16 elements in 11 groups
    Minimum Focus: 0.28m
    Autofocus: Ring-type USM
    Filter Size: 82mm
    Image Stabilisation: No
    Format: Full-frame 35mm / digital

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Canon EF 24-70mm f/2.8L II USM

  • The Canon EF 24-70mm f/2.8L II USM is the standard professional zoom of the EF system, covering wide-angle through short telephoto in a single lens. The constant f/2.8 aperture, revised optical design and fast USM autofocus make it a dependable choice for fashion, portrait, editorial, event and location work where speed and flexibility matter more than carrying multiple primes.

    Compared with the original 24-70mm f/2.8L, the Mark II is lighter, sharper across the frame and improved in control of chromatic aberration and distortion. Its range covers most day-to-day professional assignments, while the weather-resistant L-series construction and close focusing make it particularly practical as an all-purpose working lens.

  • Type: Standard zoom lens
    Mount: Canon EF
    Focal Length: 24–70mm
    Maximum Aperture: Constant f/2.8
    Minimum Aperture: f/22
    Construction: 18 elements in 13 groups
    Minimum Focus: 0.38m
    Autofocus: Ring-type USM
    Filter Size: 82mm
    Image Stabilisation: No
    Format: Full-frame 35mm / digital

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  • The Canon EF 70-200mm f/2.8L IS II USM is a professional telephoto zoom designed for fast-paced portrait, fashion, sports, event and location work. Its constant f/2.8 aperture gives consistent exposure throughout the zoom range, while the longer focal lengths provide strong compression and controlled subject separation. The second-generation version improved optical performance, close focusing and image stabilisation over its predecessor.

    For professional use, its strength is versatility: fast ring-type USM autofocus, effective image stabilisation and weather-resistant L-series construction make it reliable both handheld and on set. It covers everything from tighter portraiture to distant action without the need to change lenses, while maintaining high image quality across the zoom range.

  • Type: Telephoto zoom lens
    Mount: Canon EF
    Focal Length: 70–200mm
    Maximum Aperture: Constant f/2.8
    Minimum Aperture: f/32
    Construction: 23 elements in 19 groups
    Minimum Focus: 1.2m
    Autofocus: Ring-type USM
    Image Stabilisation: Up to 4 stops
    Filter Size: 77mm
    Format: Full-frame 35mm / digital

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Canon EF 70-200mm f/2.8L II USM

Canon EF 50mm f/1.2L USM

  • The Canon EF 50mm f/1.2L USM is a professional standard prime built around an exceptionally fast f/1.2 aperture. That combination gives strong low-light capability and very shallow depth of field, with a natural perspective that makes it particularly useful for portrait, fashion, editorial and available-light work.

    What sets it apart from more conventional 50mm lenses is the rendering at wider apertures. The f/1.2 design allows pronounced subject separation and a softer transition into out-of-focus areas while still retaining the versatility of a normal focal length. Ring-type USM autofocus and L-series construction make it a practical working lens as well as a distinctive creative option.

  • Type: Standard prime lens
    Mount: Canon EF
    Focal Length: 50mm
    Maximum Aperture: f/1.2
    Minimum Aperture: f/16
    Construction: 8 elements in 6 groups
    Minimum Focus: 0.45m
    Autofocus: Ring-type USM
    Filter Size: 72mm
    Image Stabilisation: No
    Format: Full-frame 35mm / digital

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Canon EF 85mm f/1.2L II USM

  • The Canon EF 85mm f/1.2L II USM is a professional short telephoto prime built around an exceptionally fast f/1.2 aperture. Introduced in 2006 as the successor to the original 85mm f/1.2L, the Mark II retained the same 8-element, 7-group optical formula but introduced updated electronics and an autofocus system around 1.8× faster than its predecessor. Its floating optical design and aspherical element help control aberrations across the focusing range.

    For portrait, fashion and editorial work, the combination of 85mm perspective and f/1.2 depth of field gives strong subject separation and a very distinctive rendering. It is especially useful where precise focus placement and background control are central to the image, while ring-type USM and full-time manual override keep it practical within a professional Canon EF workflow.

  • Type: Short telephoto prime lens
    Mount: Canon EF
    Focal Length: 85mm
    Maximum Aperture: f/1.2
    Minimum Aperture: f/16
    Construction: 8 elements in 7 groups
    Minimum Focus: 0.95m
    Maximum Magnification: 0.11×
    Autofocus: Ring-type USM with full-time manual override
    Filter Size: 72mm
    Image Stabilisation: No
    Format: Full-frame 35mm / digital

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Canon EF 100mm f/2.8L Macto IS USM

  • The Canon EF 100mm f/2.8L Macro IS USM is a professional macro lens capable of true 1:1 reproduction, designed for product, beauty, still-life and close-detail work. Its Hybrid Image Stabilizer was developed specifically to compensate for both angular and shift movement, which becomes increasingly important at close focusing distances, while the internal focusing design keeps the lens length constant during operation.

    Beyond macro work, the 100mm focal length and f/2.8 aperture also make it a strong short telephoto for portrait and editorial use. The lens combines high sharpness with useful working distance, fast ring-type USM autofocus and L-series weather-resistant construction, making it a practical option both in studio and on location.

  • Type: Macro / short telephoto prime lens
    Mount: Canon EF
    Focal Length: 100mm
    Maximum Aperture: f/2.8
    Minimum Aperture: f/32
    Construction: 15 elements in 12 groups
    Minimum Focus: 0.30m
    Maximum Magnification: 1:1
    Autofocus: Ring-type USM with internal focusing
    Image Stabilisation: Hybrid IS
    Filter Size: 67mm
    Format: Full-frame 35mm / digital

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Canon EF-RF Mount Adapter

  • The Canon Mount Adapter EF-EOS R allows Canon EF and EF-S lenses to be used on EOS R-series mirrorless cameras while retaining full electronic communication between camera and lens. Autofocus, aperture control, metering, image stabilisation and EXIF data all continue to function normally, making it a straightforward way to integrate existing EF lenses into an RF-mount workflow.

  • Type: Lens mount adapter
    Camera Mount: Canon RF
    Lens Compatibility: Canon EF / EF-S
    Autofocus: Supported
    Aperture Control: Fully electronic
    Image Stabilisation: Supported with compatible lenses
    EXIF Communication: Supported
    Optical Elements: None

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Canon Speedlite 600EX II-RT

  • The Canon Speedlite 600EX II-RT is a professional on-camera flash designed for demanding stills workflows. It offers a guide number of 60 at ISO 100 / 200mm, a 20–200mm zoom range and built-in radio transmission for reliable off-camera triggering, making it useful for portrait, event, fashion and location work.

    Its fast recycle performance, weather-resistant construction and wireless radio control make it particularly well suited to professional setups where multiple flashes need to be controlled quickly and consistently.

  • Type: Professional TTL flash
    Guide Number: 60 (ISO 100, 200mm)
    Zoom Coverage: 20–200mm
    Flash Control: E-TTL / E-TTL II and Manual
    Wireless: Built-in radio transmission
    Head Movement: Bounce and swivel
    High-Speed Sync: Supported
    Mount: Canon hot shoe
    Power: 4 × AA batteries

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  • The Canon Speedlite 270EX II is a compact external flash designed for lightweight on-camera use with Canon EOS cameras. It offers more power and flexibility than a built-in flash while remaining small enough for travel, location and everyday editorial work.

    Its tilting head allows simple bounce flash, and it can also be used wirelessly as a slave unit with compatible Canon Speedlite setups. For photographers who want a discreet flash without the size of a 600-series unit, it is a practical option.

  • Type: Compact TTL flash
    Guide Number: 27 (ISO 100, metres)
    Flash Control: E-TTL / E-TTL II
    Head Movement: Tilting bounce head
    Wireless: Optical slave support
    High-Speed Sync: Supported
    Mount: Canon hot shoe
    Power: 2 × AA batteries

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Canon Speedlite 270EX II

Canon BG-E20 battery grip

  • The Canon BG-E20 is the dedicated battery grip for the EOS 5D Mark IV, designed to extend shooting time and improve handling in vertical orientation. It accepts two LP-E6-series batteries and adds duplicate controls for portrait-format shooting, including a shutter release and key camera controls.

    For professional studio, event and location work, the BG-E20 is particularly useful on longer shooting days where additional battery capacity and more consistent vertical handling are important.

  • Type: Vertical battery grip
    System: Canon EOS 5D Mark IV
    Battery Capacity: 2 × LP-E6-series batteries
    Controls: Vertical shutter release and duplicate camera controls
    Orientation: Designed for portrait-format shooting
    Compatibility: Canon EOS 5D Mark IV

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Canon LP-E6NH batteries

  • The Canon LP-E6NH is a high-capacity rechargeable lithium-ion battery used across a range of Canon EOS cameras, including the EOS 5D Mark IV and selected EOS R-series bodies. It provides greater capacity than earlier LP-E6 and LP-E6N batteries while retaining the same physical format and broad system compatibility.

    For professional use, it is a straightforward spare or replacement battery for extended studio, location and event shooting, particularly where multiple bodies share the LP-E6 battery system.

  • Type: Rechargeable lithium-ion battery
    Model: Canon LP-E6NH
    Voltage: 7.2V
    Capacity: 2130mAh
    Compatibility: Selected Canon EOS DSLR and EOS R cameras
    Charging: Compatible Canon LP-E6-series chargers
    Use: Camera power / spare battery

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